SBIR Proposal = Writing Basics: Reviewers on Ice

Gail & Jim Greenwood, Greenwood Consulting Group, Inc.

Copyright =A9 2006 by Greenwood Consulting Group, = Inc.

 

Like many of you, we spent a lot of time the past month watching the Winter = Olympics.  We noticed that it took no fewer than four commentators to cover = the figure skating competitions.  = We also noticed that those commentators reminded us a lot of how SBIR/STTR = proposals are reviewed by the agencies.  = Let us explain=85

 

There are strict criteria about how to score a figure skater, and therefore = who wins and who loses.  Despite = those strict criteria, the commentators were all over the map in terms of what was of interest or concern to them.  = Some simply reported the action.  = Others seemed more focused on the technical issues, while others sought = aesthetically pleasing performances.  = Some seemed stodgy, making us wonder why they even wanted to watch the skaters, = while others got so excited that they could hardly maintain their composure.  Some seemed to look for the slightest mistake, while others = showed forgiveness, especially for their thinly disguised favorite = skaters. 

 

So what do these figure skating commentators have in common with those = folks who review SBIR/STTR proposals for the agencies?  A lot, we think.  = The reviewers have a set of criteria (found in the agency=92s solicitation) = by which they are to judge SBIR/STTR proposals.  Despite this, they show tremendous differences in what they look for and what = they disdain in a proposal.  = Some simply report the action: they oversee the other reviewers, seeking concurrence = and compromise am ong them.  = Others are very focused on the technology, while others seek the most innovative = ideas, while others put their priority on commercial potential.  Some seem only remotely interested in what is being proposed, = while others get excited about new innovations and technologies.  Some offer genuine and constructive criticism, while others seem = to have their favorites and biases.

 

The bottom line is that SBIR and STTR are programs in which humanoids, in = all their glory and imperfections, make decisions on who wins and loses, and = why.  Because each reviewer is a unique and complex person, it is = futile to expect to always know what will appeal to a reviewer and what will turn = him or her off.  Therefore, avoid = like the plague anyone who tells you they have discovered =93the=94 key to = success in SBIR/STTR because that means they are ignoring the often unpredictable = human fa ctor.    

 

We suggest you do the following:

 

First, take every opportunity to get to know your topic author, agency = representatives, and others who might be able to shed some light onto the preferences and peculiarities relative to an SBIR/STTR proposal.  These folks may be the reviewers who select winners, or they may = be able to offer some insights into the people who are the reviewers.

 

Second, read the selection criteria in the SBIR/STTR solicita tion for your = agency, and make it clear in your proposal how you meet (or, better yet, exceed) = each criterion.

 

Third, avoid any sort of remark that might be taken as inflammatory by a = reviewer.  Don=92t talk about the dysfunctional health care system if you = are writing to NIH, and don=92t talk about replacing an inefficient and = half-baked computer system at DOD.  = Similarly, do not be overly negative in your assessment of what research others = have done, including those deemed to have contributed to the state-of-the-art.  Murphy=92s Law of SBIR/STTR Proposal Writing says that anyone you chastise in your proposal will be on your review panel.

 

Fourth, don=92t use a cookie-cutter approach t o your SBIR/STTR proposals.  Each proposal should be customized to the agency to which it is = being submitted, and customized to the reviewers who will critique and rate = it. 

 

Fifth, never try to lobby reviewers during the proposal review period.  This is considered to be in VERY bad taste in the SBIR/STTR = programs.  However, you might ask if an agency representative can shed light = on the background (experience, education) of the reviewers so that you can = tailor the level of presentation in your proposal accordingly.  NEVER suggest that you want to know the name or other personal information about a reviewer.

 

Sixth, always get a debriefing after winners have been selected.  The debriefing can help you learn what to do differently next = time.  And, if there is an opportunity to resubmit the proposal, the = debriefing remarks may give you insight into what the reviewer wants you to = change.  Remember, these reviewers are humanoids, so be understanding if = they view the world a bit differently than you do.