SBIR Proposal = Writing Basics: Reviewers on Ice
Gail
& Jim Greenwood,
Copyright =A9 2006 by
Like
many of you, we spent a lot of time the past month watching the Winter =
Olympics.
We noticed that it took no fewer than four commentators to cover =
the
figure skating competitions. =
We also
noticed that those commentators reminded us a lot of how SBIR/STTR =
proposals are
reviewed by the agencies. =
Let us
explain=85
There
are strict criteria about how to score a figure skater, and therefore =
who wins
and who loses. Despite =
those strict
criteria, the commentators were all over the map in terms of what was of
interest or concern to them. =
Some
simply reported the action. =
Others
seemed more focused on the technical issues, while others sought =
aesthetically
pleasing performances. =
Some seemed
stodgy, making us wonder why they even wanted to watch the skaters, =
while others
got so excited that they could hardly maintain their composure.
Some seemed to look for the slightest mistake, while others =
showed
forgiveness, especially for their thinly disguised favorite =
skaters.
So
what do these figure skating commentators have in common with those =
folks who
review SBIR/STTR proposals for the agencies?
A lot, we think. =
The
reviewers have a set of criteria (found in the agency=92s solicitation) =
by which
they are to judge SBIR/STTR proposals. Despite
this, they show tremendous differences in what they look for and what =
they
disdain in a proposal. =
Some simply
report the action: they oversee the other reviewers, seeking concurrence =
and
compromise am
ong them. =
Others are
very focused on the technology, while others seek the most innovative =
ideas,
while others put their priority on commercial potential.
Some seem only remotely interested in what is being proposed, =
while
others get excited about new innovations and technologies.
Some offer genuine and constructive criticism, while others seem =
to have
their favorites and biases.
The
bottom line is that SBIR and STTR are programs in which humanoids, in =
all their
glory and imperfections, make decisions on who wins and loses, and =
why.
Because each reviewer is a unique and complex person, it is =
futile to
expect to always know what will appeal to a reviewer and what will turn =
him or
her off. Therefore, avoid =
like the
plague anyone who tells you they have discovered =93the=94 key to =
success in
SBIR/STTR because that means they are ignoring the often unpredictable =
human
fa
ctor.
We
suggest you do the following:
First,
take every opportunity to get to know your topic author, agency =
representatives,
and others who might be able to shed some light onto the preferences and
peculiarities relative to an SBIR/STTR proposal.
These folks may be the reviewers who select winners, or they may =
be able
to offer some insights into the people who are the reviewers.
Second,
read the selection criteria in the SBIR/STTR solicita
tion for your =
agency, and
make it clear in your proposal how you meet (or, better yet, exceed) =
each
criterion.
Third,
avoid any sort of remark that might be taken as inflammatory by a =
reviewer.
Don=92t talk about the dysfunctional health care system if you =
are
writing to NIH, and don=92t talk about replacing an inefficient and =
half-baked
computer system at DOD. =
Similarly,
do not be overly negative in your assessment of what research others =
have done,
including those deemed to have contributed to the state-of-the-art.
Murphy=92s Law of SBIR/STTR Proposal Writing says that anyone you
chastise in your proposal will be on your review panel.
Fourth,
don=92t use a cookie-cutter approach t
o your SBIR/STTR proposals.
Each proposal should be customized to the agency to which it is =
being
submitted, and customized to the reviewers who will critique and rate =
it.
Fifth,
never try to lobby reviewers during the proposal review period.
This is considered to be in VERY bad taste in the SBIR/STTR =
programs.
However, you might ask if an agency representative can shed light =
on the
background (experience, education) of the reviewers so that you can =
tailor the
level of presentation in your proposal accordingly.
NEVER suggest that you want to know the name or other personal
information about a reviewer.
Sixth,
always get a debriefing after winners have been selected.
The debriefing can help you learn what to do differently next =
time.
And, if there is an opportunity to resubmit the proposal, the =
debriefing
remarks may give you insight into what the reviewer wants you to =
change.
Remember, these reviewers are humanoids, so be understanding if =
they view
the world a bit differently than you do.